In this study on urban imagery, it becomes evident how cities are often portrayed through selective lenses, where areas considered "bad" are deliberately obscured, while those deemed "good" are highlighted. This process of image-making is not new, but dates back to the earliest representations of urban spaces, such as in old paintings, and more recently, in postcards. 

These visual fragments show only what the city wishes to reveal. However, neglected corners, failed planning, and evidence of governmental shortcomings are left out, as they do not fit the controlled narrative, reflecting an authoritarian control over the image presented.

In architectural and urban discourse, this selective construction of images raises crucial questions: just as postcards hide the shadows of the city, urban interventions also run the risk of becoming mere facades, rather than bringing about real and positive change.

It is from this contrast between image and reality that this study invites architects and urban planners to look more deeply into the soul of the city and its essence.

Project development: architect Roberto Gasparini Jr.

Images: Roberto Gasparini Jr.