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< ARCHITECTURE

MULTI-USE SPACE

Architectural intervention proposal for the occupation and transformation of an underutilized area, resulting from an interrupted construction project, located at a strategic point in a region undergoing conurbation. 

A project for the occupation and use of an abandoned area containing remnants of an unfinished structure, which was originally intended to be a large-scale commercial center but later left in a state of neglect and deterioration after construction was halted. 


The intervention area is located at the confluence of two cities that have been experiencing conurbation for decades: Mojimirim and Mojiguaçu*, two sister cities in the interior of São Paulo, Brazil. 


The proposal acknowledges conurbation as a result of the interactions between the two cities, creating a space where these connections can be encouraged and strengthened. Thus, the intervention project aims to transform the area into a place dedicated to hosting events of various kinds and for diverse purposes, serving the population of both cities as an important link between them. 


With unfinished pillars and a history of unfulfilled expectations, the area has become an "urban shadow" and a symbol of decay. 

The intervention proposal seeks to revitalize the site, transforming it into a Multi-Use Space for temporary events, enabling the simultaneous hosting of various activities such as conferences, exhibitions, and artistic performances, serving both cities and the surrounding region. 

The project respects the existing elements, such as the pillars, which become a link between users and the structures. A large reflecting pool covers part of the area, mirroring the pillars and buildings, creating a new perspective of the site and symbolizing the inversion process of an urban space’s image. The design integrates six main areas, each planned to allow for simultaneous and independent use. 


The goal of the project is not to erase the site’s past but to heal its scars, offering a new opportunity for use that allows the community to reinterpret the space and its memories. 

MOJIGUAÇU  &  MOJIMIRIM

Schematic map locating the intervention area within the conurbated cities of Mojimirim and Mojiguaçu, marked by a yellow circle – by Roberto Gasparini Jr.

INTERVENTION AREA

URBAN CONTEXT

Contemporary cities strive to encompass a wide range of human activities, integrating them into their natural processes of coexistence.

 

Thus, activities related to leisure, work, health, administration, services, and sports require special attention to be effectively accommodated, with the aim of fostering better interactions within the population.

In the context of conurbation, urban activities play a fundamental role in shaping the relationships between cities affected by this phenomenon.

The use of spaces and services expands, no longer restricted to the local population but also accommodating people from neighboring cities.

There is a migration of uses, where individuals may work in one city, study in another, or reside in one while shopping in the other, effectively transforming both into a single functional territory (trans-use).

This process is evident in the cities of Mojimirim and Mojiguaçu. While both maintain distinct administrations and governments, preserving their autonomy and political structures, the interactions between their inhabitants intertwine and merge (inter-relations), making the two cities function as a single urban entity in practice.

Conurbation is a process that emerges as a result of the intensification of these relationships.

Thus, the proposal is to recognize conurbation as a reflection of social and economic interactions, creating a space that serves as a point of convergence for different uses. A multi-use space designed for the population of both cities.

CONURBATED CITIES

Map illustrating the urban connections between Mojimirim and Mojiguaçu, emphasizing key points and the interlinking lines between them – by Roberto Gasparini Jr.

MOJIGUAÇU

Municípal area: 813 km²

Population: 154.228 inhabitants (2022)

Founded: 1720; village: 1751; city: 1877

Latitude: 22°22'19" S; Longitude: 46°56'31" W

Elevation: 617 m

MOJIMIRIM

Municípal area: 499 km²

Population: 94.000  inhabitants (2022)

Founded: 1720;  village: 1769; city: 1849

Latitude: 22°25'55" S; Longitude: 46°57'28" W

Elevation: 640 m

"The interactions between their inhabitants intertwine and merge, making the two cities function as a single urban entity in practice.."

INTERVENTION AREA

An abandoned location, with a history that never occurred, projects and dreams that were never realized, and a present without a past. 


This is the area in question, which was once the target of investments, hopes, and the dream of a shopping center. Its strategic location, in front of an important high-traffic highway and in a promising neighborhood, which still enjoyed a commercial privilege resulting from the physical intersection of two cities of regional relevance, raised expectations for a large-scale commercial center for its time, capable of attracting visitors from other cities as well.

The successful future promised by this venture fueled people's ideals. However, these dreams were frustrated when expectations were interrupted by the cancellation of the construction project, shortly after the pillars were erected. The area, once a source of pride, became a source of shame for the population. The sight of an unfinished building, inevitably visible to all who passed in front of it, became a constant reminder of frustration for those who traveled between the two cities.

This space became an urban fissure, marked by abandonment and emptiness. A silent place, communicating through a deafening silence, filled with an unfinished history and an unrecorded memory. Urban Shadow. The space-time freeze displays unfinished pillars, awaiting something that never came, crying out for a future, but with no past. Unlike the ruins of ancient civilizations, which refer to a generally promising past, the remnants of this space became ruins before they were ever truly built. Urban Ruins. They are traces of our own time and our current civilization, symbols of depreciation, decay, and disintegration. They do not reflect the passing of time, but neglect. They are signs of decrepitude. It is, at once, a work under construction and a ruin, where time seems not to flow in a straight line, but in circles, without advancing.

The columns ceased to exist as such, falling into a discontinuous state of matter. Corroded Space. The deactivated location houses the wreckage of a contemporary illusion, remnants of a world that never existed. What is seen are only marks of an unfinished occupation. A place of uncertain destiny, an inaccurate space.

Black and white photo capturing the unfinished pillars in the abandoned intervention area, reflecting its state prior to redevelopment – by Roberto Gasparini Jr.
Photograph in black and white depicting the decaying infrastructure and pillars of the unused space awaiting transformation – by Roberto Gasparini Jr.
Monochrome image showcasing the structural remnants of the neglected site and a view of the city from there – by Roberto Gasparini Jr.
Drawing presenting the original plan intended for the area before construction was halted – by Roberto Gasparini Jr.

Old project

Diagram outlining the existing structures and remnants found on-site prior to the proposed intervention – by Roberto Gasparini Jr.

Existing

Illustration detailing the proposed intervention plan, integrating new functions with existing elements – by Roberto Gasparini Jr

New proposal

PROPOSAL

The reading of the area reveals a place marked by a history of non-existence. Its presence was limited to a form of intention.


For many years, the space remained unused, unimportant to the city, and without contribution to society. This urban wound marked a generation and was recorded in local history, from which it cannot be erased. Therefore, any intervention project that aims to replace the pillars with a new building or even continue the original work runs the risk of being perceived as mere makeup to hide a place that was never hidden.

The abandonment and neglect of a place that once held promises of becoming a source of pride for the city have become critical symbols of frustration and shame, fueling the urban imagination and becoming ingrained in the collective unconscious of the inhabitants.

Since the site was never used consistently since its inclusion in the urban perimeter, it can be considered devoid of an occupancy history. Its urban past, inexpressive, reveals an absence of temporal dynamism, in contrast to its surroundings, where residences, businesses, institutions, and services have emerged over the years. Thus, an area without history and timeless now receives, with this project, the possibility of various stories unfolding simultaneously in different temporalities.

The goal is to create a space exclusively for temporary events, such as congresses, exhibitions, shows, lectures, meetings, parties, gatherings, amusement parks, circus performances, and scenic expressions, among others. The project is designed to allow the simultaneous use of many of these activities, providing the area with the opportunity to witness a diversity of moments and stories.

Comprehensive plan showcasing the proposed architectural and urban elements designed to revitalize the intervention area – by Roberto Gasparini Jr.

The site is designed to allow different events to take place at the same time, without one interfering with the other, enabling heterogeneous use at any time or day, according to the nature of the event. Due to its essence of multiplicity, adaptability, and simultaneity, the intervention project has been named Multi-Use Space.

The intervention proposal does not seek to hide the urban wound that the site has become, but rather to heal it in a way that architecture offers individuals the opportunity to reinterpret the space and its role in the city, showing that it is possible to reintegrate corroded spaces without needing to hide or mask their past.

Thus, an underused, timeless area, where the moment was frozen, marked by a history of expectation that never happened, will now host temporary events that will generate multiple stories, diluted in its uses.

PROJECT ELEMENTS

When observing the area, one notices that something is missing, as if the pillars were crying out for a presence to complete them in the space.

 

When observing the area, one notices that something is missing, as if the pillars were crying out for a presence to complete them in the space.

The proposal for the area does not seek to hide or deny its past; on the contrary, it aims to fill a gap by creating uses and forms that respect the existing elements, without transforming them into disguised components.

In the proposal, the existing pillars become a link between the people and the uses. Users must cross the sea of columns to access the buildings.

A large part of the area occupied by the pillars will be covered by a large water mirror, which will reflect both the columns and the buildings, as well as the users themselves, causing these elements to be observed from a new perspective, in their inverted images. In addition to creating a visually distinct and contemplative landscape, it provides an opportunity to rethink the space and the role of the pillars within the architectural context. Additionally, this vast body of water contributes to thermal comfort on hot days.

The water mirror beneath the pillars and buildings also creates an impression of buoyancy, which suggests to the observer the idea that the pillars are supported by their own reflection, with no visibility beyond the reflection.

Diagram emphasizing in red the designated event venues within the proposed multi-use space – by Roberto Gasparini Jr.

Event venues

Diagram indicating in red the parking areas in the proposed plan – by Roberto Gasparini Jr.

Parking areas

Diagram marking in red the walkways and circulation areas within the proposed intervention – by Roberto Gasparini Jr.

Walkway and circulation

Diagram showing all the green areas in the plan by marking it in red – by Roberto Gasparini Jr.

Green area

Diagram locating the water mirror marked in red within the planned space – by Roberto Gasparini Jr.

Water mirror

Diagram highlighting in red the tree planning of the proposed space – by Roberto Gasparini Jr.

Tree planning

The project integrates six main areas:

Distributor Room
It provides access to the buildings, serving as a preliminary reception area for events. It can host exhibitions and advertising materials. The space offers a panoramic view of the built area.

Auditorium
A covered area designated for events that require seated audiences, such as performances, lectures, concerts, film screenings, and commemorative ceremonies.

Administration
Management of the Multi-Use Space.

Exhibition Hall
A covered venue for large-scale events, such as industrial fairs and commercial exhibitions.

Social Lounge
This space accommodates small to medium-sized events, such as lectures, meetings, gatherings, and private parties. It offers a panoramic view of the cities.

Open Area
An uncovered space designed to host large-scale events, such as musical concerts, agricultural exhibitions, regional festivals, amusement parks, and circus installations.

ARCHITECTURAL CONCEPTS

The arrangement of these buildings was planned to allow the simultaneous hosting of multiple events without the use of one building interfering with another.


The project concept aims to make the user reconsider the space and the architectural context in which they are situated. Thus, the designed elements seek an intimate connection with the land, both physically and sensorially.

The intervention does not seek to hide the site’s past, but rather to symbolically integrate it, creating new uses that allow the space to host events of various types and scales, thereby becoming a crucial focal point for the social and artistic life of both cities.

The intervention does not seek to hide the site’s past, but rather to symbolically integrate it, creating new uses that allow the space to host events of various types and scales, thereby becoming a crucial focal point for the social and artistic life of both cities.

Each building was designed to interact with the topography and integrate existing elements, while ensuring functionality and accessibility for all users, including those in wheelchairs.

With careful planning, the project aims to create a harmonious environment that blends the architecture, the area’s history, and the urban context.

DISTRIBUTION ROOM

The Distributor Room is the connecting element of the area, serving as a preparation space for events. It leads to the walkways that provide access to the buildings. The room can host small exhibitions, such as cultural information, artistic displays, commercial promotions by sponsors, or informational material about the events.

Technical drawing of the distribution room building – by Roberto Gasparini Jr.
Hand-drawn perspective study of the Distribution Room – by Roberto Gasparini Jr.

With glass walls along its entire length, the room offers a 360° panoramic view of the surroundings, inviting visitors to contemplate the area and its elements from the center of the water mirror.

Raised about 50 cm above the level of the water mirror, the Distributor Room is supported by a simple system of beams and columns hidden beneath the walkway, creating the impression for the outside observer that the structure has no support and is therefore floating.

AUDITORIUM

The auditorium is a building intimately connected to the land, with a cubic volume that extends partially below ground and partially above, creating the sensation of an element emerging from the terrain. 

Hand-drawn perspective visualization of the Auditorium – by Roberto Gasparini Jr.
Technical drawing of the auditorium building – by Roberto Gasparini Jr.

The slope of this building contributes to the formation of an auditorium seating area and the creation of acoustics suitable for its use. 

EXHIBITION HALL

A covered area capable of hosting large-scale events, such as regional fairs and exhibitions, the Exhibition Hall offers ample space where different types of events can be easily adapted.

Technical drawing of the exhibition hall building – by Roberto Gasparini Jr.
Hand-drawn volumetric perspective of the Exhibition Hall – by Roberto Gasparini Jr.

Its curved and slanted façade, which connects to the roof, makes the hall appear as if it is emerging from the water mirror, passing through the pillars, and following a curved movement toward the auditorium, where this movement is then interrupted. 

This vision of a movement originating from the static environment and then abruptly halted refers to the essence of the location itself, with its unfinished pillars. 

SOCIAL LOUNGE

This room is intended for small to medium-sized gatherings, such as celebrations, ceremonies, lectures, meetings, get-togethers, and private parties (graduations, weddings, birthdays, etc.). It offers a panoramic view of the surrounding area. 

Hand-drawn perspective study of the Social Lounge – by Roberto Gasparini Jr.

Built on a slope of the land, the Social Lounge is located below the water mirror. Its access is provided via a ramp formed by the gradual immersion of the walkway into the water mirror. The slope begins at the Distributor Room, creating a gentle and progressive decline.

Technical drawing of the social lounge building – by Roberto Gasparini Jr.

As the user walks toward the Social Lounge, they find themselves entering the water mirror, passing the water level, and gradually descending about 5 meters into an access corridor. After this brief encounter with the underground, the user reaches the room, a spacious area illuminated by its glass walls, offering views of the landscape of both cities. 

ADMINISTRATION

The management of the Multi-Use Space is centralized in this building, located near the entrance to the area. Its design features a cubic cut from the terrain, appearing as if a piece has been extracted and positioned diagonally over the hole formed by its extraction. This design allows the building to have two levels.

Hand-drawn conceptual perspective of the Administration building – by Roberto Gasparini Jr.
Technical drawing of the administration building – by Roberto Gasparini Jr.

Accessed from the upper floor, the building houses administrative functions such as the secretariat, office, treasury, accounting, as well as a meeting room, storage, bathrooms, and kitchen.

OPEN AREA

The Open Area was reserved for large-scale events or those requiring open spaces, such as agricultural exhibitions, musical concerts, performances, regional festivals, amusement parks, and circus installations.
Located at the lowest point of the land, the area can be accessed both through the main entrance via the parking lot and by a secondary entrance located on the side street of the lot.

Schematic perspective showcasing the open-air area designed for hosting various outdoor events – by Roberto Gasparini Jr.
Schematic technical drawing of the walkway showing the section with a human scale reference – by Roberto Gasparini Jr.

WALKWAYS

Access to the project's buildings is provided by pathways over the water mirror, weaving between the pillars. This offers pedestrians an immersive walk within the Multi-Use Space. Elevated 30 cm above the water level, the paths are connected by the Distributor Room. 

Two illustrations side-by-side indicating the conceptual approach to tree placement in the proposed plan– by Roberto Gasparini Jr.

TREE PLANNING

The tree vegetation is arranged to enhance the views of the terrain, following a hierarchy of forms and sizes. Shrubs highlight the main views, while medium and small trees frame the secondary views.

Conceptual volumetric drawing representing the massing and spatial organization of the proposed intervention – by Roberto Gasparini Jr.

CONCEPTUAL VOLUMETRIC PERSPECTIVE

The relationship between forms, solids, and voids was designed to create a dynamic and expressive spatial posture, capable of conveying the essence of the place through a functional and beautiful architectural project. The goal was not only to carry out a constructive intervention in an abandoned area but also to transform the site into an impactful architectural landmark for both cities. 

* The spelling of Mojimirim and Mojiguaçu follows the official Portuguese language orthography.

O

Project development: architect Roberto Gasparini Jr.

Images and photos: Roberto Gasparini Jr.

Illustrative schematic drawing showing only the existing pillars of the intervention area – by Roberto Gasparini Jr.

< ARCHITECTURE

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